Offering versatility and long reach in a notably sleek form factor, the Canon RF 70-200mm f/2.8 price in pakistan IS USM is a flexible telephoto zoom characterized by its bright design and advanced optics. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. A sophisticated optical design comprises a series of specialized elements, which help to suppress a variety of aberrations throughout the zoom range for well-controlled imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions. Canon RF 70-200mm price in pakistan.
Balancing the distinguished optical assets is the Dual Nano USM focus system, which delivers fast, nearly silent autofocus performance with full-time manual focus override. An Image Stabilizer also compensates for up to five stops of camera shake to help produce sharper handheld shots in difficult lighting conditions. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Additionally, this 70-200mm is weather-sealed and has a fluorine coating to protect the front and rear elements.
Versatile telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.
Bright f/2.8 constant maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques.
One UD (Ultra-Low Dispersion) element and one Super UD element help to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy.
Two aspherical elements are used to correct spherical aberrations and distortion for improved sharpness and accurate rendering.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds. Three distinct IS modes are available: standard single-shot mode, a panning-optimized mode, and a mode that only activates the Image Stabilizer during the exposure.
Dual Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and nearly silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
Removable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod.
Product Highlights: Aperture has a Range: f/2.8-32 Fluorite and Ultra-Low scattering Elements EF Mount L-Series Lens Dual Mode Optical Image Stabilization Ultrasonic Focus Motor Super Spectra Multi Covering Manual Focus Override Min Focus Distance of 3.9inches 8 Blade rounded Aperture Dust and Moisture Resistant Sealing The EF 70-200mm f/2.8L IS II USM Lens from Canon enhances upon its ancestor, one of the most highly praised lenses in the Canon EF line, having superior performance, improved speed and optical quality. This lens structure consists of one fluorite and 5 ultra-low spreading optical elements that help deliver the sharpness and minimize aberrations. The IS II Optical Image Stabilizer gives up to four stops of modification at all focal lengths and has two modes for stabilization of unmoving objects and while panning to follow moving subjects. An ultrasonic focusing motor offers rapid, smooth and quiet autofocus action. This lens has a min focusing distance of 3.9′ (1.2m) at all the zoom settings that’s why you can shoot near to your subject even in minor spaces. Like every Canon L-series lenses, this telephoto zoom is dirt and wetness resistant and built to keep on going even in the most demanding environments. Fluorite and ultra-low scattering lens elements decrease aberrations and contribute to high value of resolution, high-contrast imaging. Dual mode Image Stabilization is accurate for all kinds of camera shake. Mode 1 corrects for stationary images and Mode 2 for the inappropriate up and down movement formed when panning with moving subjects. An ultrasonic autofocus motor gives quick, smooth and almost quiet autofocus. Manual focus override allows exact manual focus in autofocus mode as well. A focus range limiter enables you set the range of focus distance that lets shorter focusing times. The two ranges are 8.2′ to infinity and 3.9′ to infinity. A truly circular aperture hole results in more pleasant out-of-focus regions. Firm seal structure makes sure excellent dirt-proof and moisture-proof performance. Detachable, rotatable tripod collar is incorporated.
Product Highlights: Detachable, Rotatable Tripod Collar Aperture Range: f/2.8-32 Four UD Optical Elements Ultrasonic Autofocus Motor (USM) 77mm Filter Thread Diameter Focusing Range Limiter Compatible w/Extender EF 1.4x II & 2x II EF Mount L-Series Lens Minimum Focus Distance: 4.9′ Inner Focusing System This EF 70-200mm f/2.8L USM Lens from Canon is efficient telephoto zoom lens with a regular f/2.8 maximum aperture. It has 4 UD glass elements for correct chromatic aberrations and offer overall high-contrast high resolution images. A latest designed inside focusing system brings top image quality all through the zooming range and the ultrasonic autofocus motor (USM) provides quick, smooth and quiet autofocus action. The lens can focus as near as 4.9′ (1.5 m). It includes a detachable tripod collar and is well-suited with the Extender EF 1.4x II and 2x II. 4 ultra-low spreading lens elements Interior focusing system an ultrasonic autofocus motor (USM) offers quick, smooth and quiet autofocus. A focus range limiter enables you set the focus range distance that enables short focusing times. The two ranges are 9.8′ to infinity and 4.9′ to infinity. Rotatable and Removable tripod collar
Product Highlights: Fluorite & UD Lens Elements EF Mount L-Series Lens Aperture’s Range is f/4-32 Ultrasonic Autofocus Motor 67mm Filter Thread Diameter Permanent Manual Focus Override Internal Zooming & Focusing Focus Range Limiter Compatible with 1.4x & 2x Extenders Minimum Focus Distance: 3.9′ Maintaining the outstanding performance at max aperture of the much superior f/2.8L but in a compact size, the EF 70-200mm f/4L USM Lens from Canon is a professional zoom telephoto appropriate for a wide range of applications from portraiture to sports. It is fully well-suited with the Extender EF 1.4x II and 2x II tele-converters (requires f/8 AF sensitivity with EF 2x II). Similar to every autofocus Canon “L” lens, the EF 70-200mm f/4LUSM produces optical performance equivalent to related fixed focal length lenses, having quiet, high-speed ultrasonic (USM) focusing and permanent manual focus override capability. A focus range restraining option also allows rapid autofocus rates. Distortions and aberrations are extremely tiny for a lens of such capacity. This lens joins 1 artificial fluorite element with two UD (Ultra-low Dispersion) elements which are helpful in achieving images free of secondary spectrum aberrations that are often the curse of consumer-grade telephoto zooms. It is lighten enough to not require a tripod collar (86 percent lighter than EF 70-200mm f/2.8L), but for handling functions there is an optional tripod collar. The min distance of focusing is 3.9′ (1.2m) in its entire range of focal lengths, and it accepts 67mm screw-in filters. Note: This lens doesn’t have seals for moisture and dust resistance. An autofocus telephoto zoom lens for both film and digital cameras with invariable f/4 maximum aperture performance an ultrasonic autofocus motor gives quiet, quick autofocus action. Permanent manual focus override lets accurate manual focus at every time, even in AF mode. 2 focus distance ranges allow you to regulate the autofocus to fit your needs and cut down AF speeds. The ranges are 3.9′ to infinity for nearer subjects and 9.8′ to infinity. Inner zooming and focusing means that the lens face element does not revolve Uses one fluorite and two UD (Ultra-low Dispersion) elements to control secondary spectrum aberrations Uses 67mm size filters and an elective tripod collar (A-IIW) is compatible as are the 1.4x II and 2.0x II extenders
The Sigma APO 70-200mm F2.8 EX DG OS HSM has the fast f2.8 aperture of in-house competitors. The lens has OS (Optical Stabilizer) anti-shake system. It offers the equivalent of shooting at shutter speeds 3 to 4 stops slower than without OS. The rounded 9 blade diaphragm creates an attractive blur to the out of focus images (bokeh). This lens is amazingly ultra sharp. *Sample images attached above taken from random sources. Brands Sigma Product Code: 70-200mm f/2.8 EX DG APO OS HSM Reward Points: 500 Delievery Time: 3 To 5 Days
The ultimate in reach, speed and performance The 70-200mm F/2.8 complements the extremely successful concept of the Tamron 28-75mm F/2.8 and extends the focal length range to 200mm. Particular attention was placed on top quality combined with high luminosity and compactness as is the case with the award-winning 28-75mm and * SP lenses in general. In spite of its compact construction, the 70-200mm is packed full of features, which permit creative picture taking in all situations. The professional image quality also does justice to demanding photographers. Extreme sharpness, resolution and brilliance are its trademarks. Moreover, it is the best of its class in the categories minimum focus distance (only 0.95 m in the entire focal length range) and a magnification ratio of (1:3,1). When using full frame cameras the medium tele-range of 70 mm to 200 mm is completely covered. When used together with APS-C sized cameras, the lens offers an equivalent of 109 mm to 310 mm arises (referring on the angle of view of the full frame) **. Whether for nature, sport or people-photography, the extraordinary optical performance will inspire you. * SP (super performance) high-capacity lenses of excellent optical and mechanical quality. ** Tamron uses a factor of 1.55 for the conversion to full frame. The designation “Di” (Digitally Integrated Design) marks a generation of lenses, which have been specially adapted to the higher requirements of digital SLR cameras (APS-C and full frame).
The new SP70-200mm F/2.8 G2 (Model A025) telephoto lens reimagines the highly acclaimed Model A009 with enhanced optical performance, improved VC (Vibration Compensation), faster AF speed and accuracy, and shortened MOD (Minimum Object Distance) for greater flexibility. What’s more, compatibility with Tamron tele converters provides additional focal length. In keeping with the SP series’ innovative technology, the lens is designed to be durable, flexible and resilient enough to rise to any occasion.
Everything just gets better in 2021! From budget-friendly beginners’ cameras, to exotic lenses, dazzling flash kits, tricked-up tripods and beyond, we’ve seen some fabulous gear from Canon this year.
Looking for the best Canon camera? Canon has launched some stunning models in its photographic line-up. Other manufacturers including Benro, Elinchrom and Manfrotto, to name but a few, have also really impressed us.
Canon EOS M50
The Canon EOS M50 mirrorless system camera is compact and lightweight, and we love its retracting 15-45mm kit lens, which delivers excellent wide-angle potential. Despite its size, the M50 feels like a ‘proper’ camera, with its electronic viewfinder and sculpted finger grip. Around the back, the fully articulated ‘vari-angle’ touchscreen makes for slick and intuitive control. We’re also impressed that the 24MP Dual Pixel AF image sensor ensures rapid autofocus and great image quality.
Canon EOS 1500D with 18-55mm Lens
We like that the Canon EOS 1500D with 18-55mm Lens small and lightweight enough to take anywhere and everywhere and that it’s so simple to use. The vari-angle screen enables novel shooting angles, injecting fun into photography.
And when we’re in a more serious shooting mood, the dual control dials and top-panel info LCD come to the fore, as featured on enthusiast-level cameras.
Super specs include a Dual Pixel AF image sensor, 45-point autofocus system, a 5-axis sensor-shift stabilizer for movies, Wi-Fi, NFC and Bluetooth. We love having so much packed into such a small DSLR.
Canon EOS 6D Mark II
Initial reaction to the Canon EOS 6D Mark II from some quarters suggested the tonal range and high-ISO noise suppression weren’t as good as from the original 6D, but there’s very little in it and the Mark II has 30% more megapixels under the bonnet. Advertisementhttps://677fe3ed51b5759dab891473293b0346.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
Both autofocus systems are massively better, with phase-detection AF rising from 11 points (only one cross-type) to 45 points (all cross-type), while Dual Pixel AF makes for vastly improved autofocus in live view and movie capture.
The latter also benefits from in-camera stabilization, while other improvements include a vari-angle touchscreen and a faster 6.5fps burst rate. All in all, it’s a fabulous camera and the EF 24-105mm IS STM kit lens is well worth having.
Canon EF 35mm
The Canon EF 35mm has excellent image quality, compact and lightweight built, and the inclusion of image stabilization makes it a top choice for street photography when using a full-frame. The same combo of highlights also makes it a superb ‘standard prime’ for APS-C format DSLRs, on which it has an effective focal length of 56mm. This gives a very natural viewing perspective, compared with the more wide-angle view that it delivers on a full-frame camera.
Canon EF 70-200mm F/2.8L IS II USM Lens
The Mark II edition of this lens has been the go-to telephoto for top professional photographers around the world, since 2010. It’s so good that the brand new Canon EF 70-200mm f/2.8L IS III USM adds very little. Unlike Canon’s new 70-200mm f/4L IS II USM, there are no improvements in the autofocus and stabilization systems, and the glass remains essentially the same. The key upgrade is that a high-tech ASC (Air Sphere Coating) is applied to the 19th element in the optical path, which further reduces ghosting and flare. Fluorine coatings are also added to the front and rear elements, to repel moisture and grease. It’s still the best Canon-fit 70-200mm lens on the market, and now it’s just a little better.
Canon Speedlite 320EX
Canon Speedlite 320EX II is a versatile flash that includes an LED light on the front that can be used as a modeling light, an AF assist beam during Live View shooting, or to light up nearby subjects in low light for video recording. It will provide up to 4 hours of continuous lighting with fully-charged AA batteries. The 320EX is E-TTL- and E-TTL II-compatible using Type-A EOS cameras, and it has a guide number of 78.7?/24m @100 ISO at 24mm.
Canon Macro Twin Lite MT-26EX-RT
For close-up shooting with a macro lens, a regular flashgun can yield awful results with harsh shadows. This revamped and rejuvenated ‘Macro Twin Lite’ solves the problem. The control unit slots into the hotshoe of a camera, and the two miniature flash heads clip onto a mounting ring that attaches to the front of most Canon macro lenses. Adaptors are available for other lenses with filter threads of between 52mm and 72mm. We like that the redesigned control panel is more intuitive, and that the use of two independent flash heads enables wide-ranging close-up lighting techniques. It beats ring lights which give completely shadow-free results that can look flat and two-dimensional. We also love the high-intensity LED lamps which can be a real help when focusing.
Do you want to learn how to take professional photos? Here are some professional photography tips that will show you how to make your pictures look more polished.
To inexperienced photographers, taking a great photo can seem simple: just point and shoot. But anyone who’s tried to learn how to take professional photos knows that there’s a lot more to it than that.From choosing the right subject and setting up a cool composition to finding the best light, it takes a lot of consideration to capture a great photo.If you want to take your photography to the next level, here are some tips to help you learn how to take good pictures. Once you get a hang of these basic pro techniques, it should vastly improve your results.
The best part about knowing how to take professional photos? It leads to new opportunities. The more professional-looking photos you’ll be able to produce, the better your online photography portfolio will look. And the better your online photography portfolio looks, the more photography jobs you will land.
So, let’s dig in!
1. Master the Fundamentals of Composition
Choose a Strong Focal Point
The focal point of a photo is the main point of interest. It could be anything from a tree, to a building, to a person (or their eyes). Finding a strong focal point is one of the fundamental steps of how to take professional photos. So when you’re planning out or setting up a shot, you should stop and ask yourself, “What do I want viewers to focus on?”
Once you know what your focal point is, you can work towards making it as strong as it can be. Many of the composition rules below will help you create an interesting focal point that draws in and holds the viewer’s attention.
Remember The Rule of Thirds
Instead of positioning the focal point in the center of your shot, it can make for a more interesting composition if you follow the rule of thirds. This rule states that you should place the most important elements in your photos off center.
Imagine there’s a tic-tac-toe grid in front of your shot. That means two lines divide your frame into thirds vertically, and two lines divide it into thirds horizontally. You should place the subject and other important elements in your shot along these lines or at one of the four points where they intersect.
It’s one of the easiest ways to learn how to take professional photos. Instead of having all your portraits look like mugshots, this guideline can help you find a better balance between the main subject and background.
Use Leading Lines
Leading lines are line shapes in your shot that can help guide a viewer’s eyes to the focal point. They can be anything that creates a line in your photo, like roads, fences, buildings, long hallways, trees, or shadows.
The trick is using them take a viewer’s attention where you want it to go. That can include drawing their eyes straight to your subject, or leading them on a kind of visual journey through your composition.
The direction of your leading lines can also change the mood of your compositions. For example, vertical leading lines can convey a powerful, imposing mood, while horizontal leading lines tend to be associated with calm and tranquility. For more information on why this technique can help with taking professional photos, check out this guide on how to use leading lines in your photography.
Put Some Thought Into Perspective
Perspective has a massive impact on the composition of any photo. By simply changing the angle or distance you shoot from, you can totally change the mood and meaning of your images.
One simple way to see that is by shooting the same subject from above and below. A bird’s-eye view can make a person in your shot seem small, while shooting from below can make it look like the same person is now towering over you. Shooting from far away can make a person look insignificant, while getting up close and having them fill the frame can convey a sense of power.
So when setting up any shot, spend some time thinking about perspective. Don’t be afraid to walk around your subject to search for interesting angles, and see how drastically it can change the composition’s mood. It will bring you one step closer to perfecting how to take professional pictures.
Finding ways to convey depth is another important step in learning how to take professional photos. If you ignore this rule, your photos can end up feeling very flat and boring. The best way to convey depth is to include some elements in the foreground, middle ground, and background. So for example, instead of shooting your portraits with the person standing up against a wall, bring them closer to the camera, or find a better background with some depth.
Make Your Subject Pop by Using Bokeh
Adding a bokeh effect can help when you are trying to add depth to your photos. Bokeh is the term for that intentional out-of-focus blur effect you can see in a lot of professional photos. Often, photographers use this effect to keep the subject to be crisp and clear while the background is soft and blurry. The result is your subject will seem to really pop out of the background.
One of the simplest ways to do it is to bring your subject right up close to the camera and shoot them in front of a distant background. If you have a zoom lens, even better! Use it at the maximum focal length to decrease the depth of field and create an even stronger bokeh effect. When knowing how and when to use bokeh becomes like second nature, you’re on your way to understanding how to take professional photos.
Frame Your Shot
Framing is another technique that can help you take professional photos. It involves finding something that can act as a natural frame for your composition, and then shooting so your subject is inside it. Some examples include a doorway, an archway, some foliage, or a hole in a wall. This type of framing can help direct the viewer’s attention to your focal point.
Also, if the frame is relatively close to the camera, it can act as a foreground layer that adds depth to your image. Similar to creating a bokeh effect in the background, if you manually focus and zoom in on a subject the middle ground, you can keep the frame out of focus, which makes sure it doesn’t draw attention away from your focal point.
Fill The Frame
When photography students are being taught how to take professional photos, they are often told to “fill the frame.” It’s great advice because if you leave too much space around your main subject, distracting elements in the background can take away from your composition.
So, for example, when shooting a portrait, you might decide to just include the person from the waist up, or, even better, to fill the frame with their face. It makes for a much more captivating and professional-looking photo when all the unneeded extra space is cropped out.
Look for Patterns and Symmetry—Then Disrupt Them
Including patterns or symmetrical elements in your photos can make them more eye-catching. Humans have a tendency to spot patterns, and it’s one reason that including them in your shots can help you learn how to take professional photos.
So keep an eye out for ways to include patterns, symmetry, and repetition of shapes or colors in your photography. Also, including an element that disrupts the pattern makes for an interesting focal point. A simple example would be a picket fence with one broken or missing picket.
2. Make Sure You Have Good Lighting
Making sure your shots are properly lit is an essential part of how to make your pictures look professional, and it’s something that inexperienced photographers often overlook. The first step is making sure you have enough light that your subject is visible. If there’s not enough light, your camera may struggle to capture the details in the scene.
If you happen to be shooting with your camera on automatic settings (which is nothow to take professional photos, but more on that later!), it will use a high ISO setting or extra-long exposure, and you’ll probably end up with grainy or blurry results. And, if you try to brighten things up in Photoshop, you may find you have to make massive adjustments, which also results in a low-quality image.
On the other hand, if there’s too much hard light in your shots, it can ruin your photo with unwanted shadows. So spend some time carefully picking your location and the angle you shoot from to ensure there’s enough light in the scene. Another way to deal with this problem is by using lighting equipment.
3. Get Some Lighting Equipment
Relying solely on available light is not always the right way to take professional pictures. If you do, then you are severely limiting yourself. Professional photographers spend a lot of time planning out lighting and they use a range of lighting equipment. But you don’t need to spend a lot of money to take the lighting in your photography to the next level.
Try Out a Light Reflector
One affordable piece of equipment that will help you manage your lighting is a light reflector. You could pick up a 7-in-1 light reflector for around Rs.5000, and it will give you a lot of options for manipulating light in your shots. These versatile light reflectors come with reversible covers made from different types of reflective materials. For instance, they have silver covers that reflect lots of bright light, white covers that reflect softer light, and black covers for helping you remove light from a scene.
By providing a simple way to start manipulating light in your shots, light reflectors are a big help when it comes to wrapping your head around how to take professional photos.
Take Advantage of Camera Flashes and Diffusers
If you understand that lighting is an important part of how to make photographs look professional, you may be thinking about investing in lighting equipment such as a studio strobe. But don’t overlook your camera flash!
If you shy away from using it because you find the light is too harsh, there are a number of solutions. One of the best options would be to invest in an external flash. External camera flashes, whether used attached to your camera’s hot-shoe or used off-camera, can give you much more flexibility. For one, they enable you to aim the light rather than have it blasting directly on your subject.
This allows you to bounce the light off a nearby surface like a ceiling or wall. The result is that the light is spread out much more evenly and looks less intense. There are also a variety of flash diffusers available for external flashes that will help you soften the light without having to bounce it off a surface.
Many photographers also create DIY solutions for diffusing the light from their flashes, such as using various translucent white plastic containers and cutting them so they fit over the flash.
Use Light to Create Interesting Effects
But there’s a lot more to lighting than just making sure you have enough of it. You can also use light in a variety of interesting ways that can totally change the mood of your photos. Once you get comfortable creating some of these effects, it will help you with figuring out how to make your photographs look professional.
For example, some techniques you could try out include:
Shooting during the golden hour. The golden hour is what photographers call the time just after sunrise and just before sunset. This is when you can capture scenes bathed in golden-hued light—which makes for a great photo. Also, since the sun is low in the sky, things cast very long shadows that can create a dramatic effect.
Create a silhouette. Try shooting a subject in front of a bright light like the setting sun, and manually adjust your camera settings so all you’re left with is a dark silhouette against a background of light. Check out this guide to learn all the ins and outs of silhouettes, Silhouette Photography 101: Master The Basics.
Shoot in hard light. Shooting in areas or times when there’s lots of bright light and shadows can make for an interesting photo with lots of contrast. For example, look for things that cast interesting shadows onto your scene such as window blinds or a fence. Then capture those shapes or patterns created by the shadows as they fall on your subject. For more info on this technique, take a look at hard light photography advice.
4. Learn How to Edit Photos Like a Professional
It’s not only about how to take professional photos. You should also learn how to edit photos like a professional.
Photoshop is the professional photographer’s best friend. Practically any image can benefit from some touch-ups, whether it’s cropping, brightness adjustments, color corrections, or other tweaks.
So it’s worth spending some time learning what the program is capable of. There are lots of helpful tutorials available online, including a bunch on the Adobe website.
If you don’t have access to Photoshop and aren’t looking to spend the money on it, there are many free Photoshop alternatives. One of the most popular is GIMP.
But no matter what photo editing software you use, there’s one rule that remains constant: you should use a light touch when making adjustments. Inexperienced photographers tend to go overboard during editing. If you make too many drastic adjustments, the final result won’t look realistic and your touch-ups will be obvious.
5. Learn Your Camera’s Settings
Relying on the camera’s automatic settings is another thing that will hold you back when it comes to understanding how to take good pictures. While it may work fine at times, you won’t have nearly as much flexibility to get creative with your photography or handle unique situations.
For instance, if you are trying to take a silhouette, your camera may try to capture the wrong details and you’ll end up dimly lit subject against a blown out background. If you’re trying to shoot at night, it may give you an extra-long exposure when you don’t want it, and you’ll end up with a blurry mess. So spend some time familiarizing yourself with your camera’s settings, because it’s a critical step in learning how to make pictures look professional.
6. Pick Up a Tripod
We’ve already covered some lighting equipment, but there’s one more piece of photography gear you should definitely consider adding to your arsenal if you want to know how to take professional photos.
You might think you don’t need a tripod if you have a steady hand and are comfortable with handheld shots. But a tripod allows you to try a variety of shooting techniques that you can’t do without one.
A tripod also lets you set up your shot and then take care of other aspects of the scene while keeping your camera ready to go. For example, you might want to line up a shot and then speak to a model, make lighting adjustments, or just wait for the perfect moment.
7. Upgrade Your Gear
Using the professional photography tips above, you should be able to vastly improve your results without spending any money. However, if you’re working with sorely outdated equipment and have the budget for some new gear, it might be time to upgrade your camera, lenses, and accessories. For some help deciding between all the options out there, take a look at these guides:
Hold DSLR, 2 Lenses, Flash & Accessories Fits DSLR with 300mm f/2.8 Lens Attached Zippered Compartment for 15″ Laptop Quick Side-Access to DSLR Internal Padded Dividers Internal Mesh & Zippered Pockets Hidden Passport Pocket on Front Flap Adjustable Waist & Sternum Straps Hideaway Tripod Mount, SlipLock Loops All-Weather Cover Included Description: The backpack design of the Lowepro Transit Backpack 350 AW makes this camera bag a very comfortable option to use, as well as a pack that’s designed to thwart thieves. There’s plenty of padding to keep your camera equipment safe, and Lowepro’s designers did a good job with setting up the backpack’s compartments, giving you room for all of your camera equipment as well as a laptop. It’s even easy to fit multiple cameras in the Lowepro Transit Backpack 350 AW, along with the laptop. Very few photographers will find that this backpack is too small for the gear they want to take with them. Considering everything the Lowepro Transit Backpack 350 AW offers, the price is fair versus other camera bag designs. Perhaps the biggest problem for the Lowepro Backpack 350 AW is that it’s too large for most photographers. If you’re someone who’s just carrying a point-and-shoot camera, you certainly don’t need this product. However, when traveling on vacation, it’s very handy to have one place to store your laptop and camera, all in a backpack that’s just the right size to serve as carry-on luggage for air flight. This camera backpack features a high quality construction that should fit the needs of most DSLR photographers who are traveling. Not everyone is a fan of a camera bag that’s in a backpack design, but if you like this design, this Lowepro model should be on your short list. Pros Very comfortable to use Plenty of room for two DSLR cameras, accessories, and a laptop Strong padding in the right places Is perfect size to be carry-on luggage for an airplane flight Specifications Exterior dimensions: 18.9 x 12 x 9.4 inches Interior dimensions: 16.5 x 10.6 x 5.9 inches Weight: 2.4 pounds Dual shoulder straps in backpack design Airline carry-on travel rules compatible Slate gray color Weather-proof covering available Adjustable inserts Size The Lowepro Transit Backpack 350 AW is a large size versus a standard backpack, but this size is necessary to allow the bag to hold several pieces of camera equipment as well as a 15-inch screen laptop computer. A standard configuration for the 350 AW Backpack (according to Lowepro) is: A DSLR camera with attached 70-200mm lens, two additional lenses, external flash, an additional accessory or two, compact-size tripod, and 15-inch laptop computer. Lowepro’s documentation indicates a lens as large as 300mm should fit in the backpack. However if you have a large tripod, you probably will have difficulty fitting this accessory inside the Lowepro Transit Backpack 350 AW. This unit is quite a bit larger than most backpacks, which may discourage some people from purchasing the Backpack 350 AW. If you’re a shorter person, you may find that the Transit Backpack 350 AW is too tall to be carried comfortably, for example. It’s also a bit heavy — weighing 2.4 pounds before you begin loading it with equipment — which might lead some photographers to be leery of taking it on a long hike. Because most of the weight is related to the padding, though, the size and weight is a worthy trade-off for having safe camera equipment. With the adjustable interior compartments, you also can remove some of the interior padding that isn’t needed to reduce the weight. Padding The entire exterior of the bag is protected by padding of a thickness of about one-quarter to one-half inch. There’s also padding used between compartments in the interior of the Lowepro Transit Backpack 350 AW. The interior padding is adjustable, allowing you to create larger or smaller compartments, depending on the size and type of equipment you’re carrying. All of the padding is held in place by Velcro. Not only can you protect the camera equipment by adjusting the location of the padding, but you also can make the compartments smaller to hold the equipment tighter without jostling. Finally there’s quite a bit of padding within the straps of the backpack, which is a necessity considering how heavy this unit can become. You can adjust the straps of the backpack or clip them together to increase the comfort level, too. I found the bag’s padding to be more than adequate for most types of cameras. And the ability to adjust the size of the compartments also allows the 350 AW to work with many types of models. Overall Design The Transit Backpack 350 AW from Lowepro is available in one color — slate gray — which may seem a bit boring. However, having a generic looking backpack may discourage potential thieves while you’re traveling. At first glance, you probably wouldn’t expect this backpack to be holding a large amount of expensive DSLR equipment and a laptop. However, if you’re carrying a camera bag that clearly has “Canon” or “Nikon” printed on the side, it doesn’t require a lot of guesswork to figure out what’s inside the bag. Lowepro also is offering a waterproof covering that you can slip over the backpack anytime you’re in a location where rain or water spray could occur. One interesting design aspect of the Lowepro Transit Backpack is that you can use the multiple zippers to open “doors” in the backpack. One zipper opens the entire side of the backpack, while another gives you access to a smaller compartment, for example. This is a handy feature if you know exactly how you’ve packed this unit, giving you quick access to a particular piece of equipment. Lowepro also included several zippered compartments on the exterior of the bag for sliding in different thin accessories. A small mesh netting compartment inside the bag has a zipper, too, and is great for holding small items that you want to be able to see before you grab them, such as different capacities of memory cards.