lightroom portrait photography

How to use Lightroom Classic: Polish your portraits to perfection

With Lightroom Classic CC hear how you can use the Spot Removal tool to polish skin to perfection

There is a great opportunity to capture good portraits this summer. And, if you want to your images to enchance, you can learn to retouch the skin is one of the best skills. Fortunately there is a method in Lightroom that is effective, fast, and also very simple.

In Lightroom Classic there is a tool – Sport removal, with which there is an easy way to edit blemishes or flyaway hairs. This tool can be a lifesaver when an amazing portrait has some little imperfections to be improved. This is handy for removing dust spots from landscapes, too!


Spot Removal tool replaces any flaw that you use with a different part of the image that has been selected automatically by the software, still you can manually reposition the area if it does not seem right. Lightroom has 2 main options: Heal and Clone, which helps in controlling the type of selection. It can be refined by adjusting the feathering , size, and opacity.

Color calibration

If your phone is not color calibrated, so we need to check the white balance on my computer. Though you can use desktop Lr for this, but it is easier to edit white balance in LrC, because mouse scroll wheel can be used to make adjustments fine.

In LrC fine-grained editing is generally easier across the board: Maybe it’s just me, but I can’t get Lr to use my mouse wheel to edit settings when I hover and scroll. This is such a time saver!

I miss you, color labels.

Color labels

Secondly, Lr has no color labels. Why, Adobe, why?! Color labels are so useful for marking finished edits (green), black and white virtual copies (yellow), Instagram crops (purple), preview photos for social media (blue) and photos that need Photoshop editing (red). It’s a major pain point for me that Lr doesn’t include this level of custom filtering.

Virtual copies

On a related note, Lr makes virtual copies hard. For starters, you can only create virtual copies on the desktop version: The option doesn’t exist on mobile. Versions is the Lr alternative to virtual copies, but this doesn’t work for me.

Can you imagine editing over 600 wedding photos in black and white and having to manually switch every single one from color to black and white for exporting? No thanks. In LrC I can duplicate the entire color batch, label the copies yellow, filter the set so I can only see yellow-labeled photos and apply the black and white edit across the set, before exporting everything in one fell swoop.

Custom export presets

Speaking of which, being able to save export presets is another essential feature missing in Lr. Custom name codes and saving to a designated folder automatically are key parts of the export options for me, as is exporting multiple presets at once.

While we’re talking about presets, I love that LrC can save metadata presets to apply across whole batches of photos. You can select a batch and manually type in the metadata in Lr, but you can’t apply a saved preset with one click.

portrait photography

Amazing Techniques to Take Stunning Portraits

Professional photographers shoot 30+ weddings a year, and in doing that, sometimes it is easy to fall into the same old technique when it comes to portraits. Even with new poses, taking portraits can become very mundane if the same compositions and angles are used for every couple–we’ve definitely been through that creative rut where our pictures start looking very familiar. Throughout the years, we’ve challenged ourselves to stay on top of our game with a few useful techniques. Here are some of our best tips to help keep things fresh and unique for each couple.

1. Using a longer lens.

A lot of photographers say that their 50mm is a “must-have” portrait lens, but what a mid-range lens offers is a very familiar perspective, something that our eyes are used to seeing all the time. To create a more interesting image, we avoid shooting portraits in mid-range because the images look too ordinary. Most of our portraits are shot at 200mm or 85mm to create beautiful image compression that a 50mm would not be able to produce. The compression will not only flatter your subjects with less feature distortion but shooting at a longer focal length will also create more dramatic background blur and brings the background closer to your subject. It may be more difficult to communicate with your subjects while shooting at 200mm, but the difference will be apparent and well worth it. Our solution to this problem was to have one of us interact with our couples at close range while the other shoots from a distance.

2. Find angles that are not eye level.

Many times we are stuck seeing what is right in front of us. It is, after all, the easiest answer to everything. Challenge yourself to find a different angle from above or below eye-level to bring a new perspective to the image. This technique can also be used to flatter subjects of different body types and heights. In the image below, we asked the bride to sit on the ground in order to focus on her face and hair ornament while blurring out the rest of her body. It makes a more interesting image than the typical straight-on bridal portrait.

3. Use off-camera flash

During a wedding, our speed lites are never on-camera, even during the reception. Flash rarely flatters a person’s face when it is straight on, and the image loses its dimensionality. Using flash to light our subjects from the side, we are able to create both light and shadow on our subjects, flattering their features and bringing a greater range of highlights and shadows to the image. It also helps us bring out details in the background to create a more dramatic landscape.

4. Overpower the sun with flash

Shooting at mid-day is no easy task when using natural light. But with some artificial lights, something as simple as a couple of speedlites can diminish the power of the sun and darken the image for better exposure. We use this technique especially when we are trying to create environmental portraits that focus on the landscape. Using our speedlites, we are able to overpower the sun and underexpose the sky while only lighting up the subject. To create this amount of artificial light, we have to use 2-4 off-camera speedlites (with no diffuser) in order to generate enough light to overpower the sun. Holding the speedlites closer to the subject (to the side) also helps put more light on the subject and allows us to underexpose the background even more for dramatic effect.

5. Find back-light

It takes time and practice to train your eye to find great light. Once you learn how to “find the light” in any situation, it will help you master taking some amazing portraits. Lighting is, after all, the essence of photographic images. Whether you are using the sun, a window, or an ordinary light bulb, these light sources can be used to create beautiful edge light (a.k.a. hair light, rim light) when the light source is place behind your subject. The effect that rim light creates can enhance the dimension of your image by separating your subject from the background, outlining and focusing on your subject.

6. Shoot through objects

When objects are in our way, we like to use them to our advantage. In fact, many times we are purposely trying to find elements to place in the foreground of our image. Learning to find holes between tree branches, abstract objects, or even ordinary household items are simple, everyday things that will help enhance your images by bringing an interesting, and sometimes colorful, element to your composition. Using a longer lens will help blur out the foreground objects to frame the subjects in a more intimate way.

7. Use video light for night portraits

Video lights are very useful when no light source is available to light up your subject in dark situations. The great thing about video lights is that they are a constant light source so you can see what the image will look like in camera. We use LED video lights, which give us enough power to last 2+ hours. They are a great alternative to speedlites for low light situations and are quicker to adjust for dark situations.

8. Use gels on your speedlites

Adding CTO (orange) or CTB (blue) gels to your speedlites will change the mood of your image. Sometimes shooting in an environment which is overcast and very blue, adding a CTB gel will warm up the whole environment if you adjust the white balance correctly. CTO gels can also be used to emulate sunlight.

For guidance of camera equipment for portrait photography, please contact us.