Out of Stock

Focusrite Clarett 8PreX 26×28 Thunderbolt Audio Interface

8x Preamps Model the Classic ISA Design

24-Bit/192 kHz Audio Resolution

116 dB A/D and 119 dB D/A Dynamic Range

Thunderbolt Latency Under 1 ms

64-bit AAX, AU, and VST Plug-in Suite

Softube Time and Tone Bundle

ADAT, S/PDIF, WordClock I/O

Digital Expansion

Includes MIDI I/O

Detailed Metering

Out of stock

SKU: d54ffc773f01 Category:

Description

The Focusrite Clarett 8PreX Thunderbolt Audio Interface combines 24-bit 192 kHz A/D/A conversion, 119 dB real-world dynamic range, 1 ms roundtrip Thunderbolt latency, and eight microphone preamps that can model the sound of the company’s ISA transformer-based preamps using the “Air” effect. The high resolution recording and ultra low latency allows you to enable 64-bit AAX, AU, and VST compatible DA plug-ins while monitoring recordings. The interface comes with 64-bit AAX, AU, and VST compatible Red 2 and Red 3 plug-in suite.
In addition to the Red 2 and Red 3 Plug-in Suite, the interface includes the Softube Time and Tone Pack. Modeled after the Drawmer 1973 FET Stereo compressor hardware, the Drawmer S73 Intelligent Master Processor is a plug-in that aids in balancing and shaping a mix. TSAR-1R Reverb adds space, depth, and width to a sound. Change settings with a single slider, from realistic three-dimensional rooms to dramatic and dreamlike halls. Tube Delay is an echo effect that can go from clean to rude by overdriving its three modeled tube stages – delivering everything from realistic room echoes, to rockabilly style slap back, to dub reggae echo. Saturation Knob is a modeled output distortion unit that adds grit and warmth – use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy a drum loop.
Housed in a 2RU chassis, the interface features two front instrument ¼” TRS inputs, eight rear panel microphone XLR-3F inputs, eight ¼” line level inputs, six line level ¼” TRS outputs, two ¼” TRS monitor outputs, word clock I/O, 5-pin MIDI I/O, stereo S/PDIF I/O, and sixteen channels of ADAT I/O for expansion.
The front panel also features two ¼” TRS headphone outputs with separate volume controls. A dedicated gain control, a +48V phantom power switch, a phase reverse switch, and a high pass filter switch is provided for each microphone preamplifier. A six-segment multi-channel LED meter provides visual feedback, as well as a level control, a dim button, and a mute button.